It’s not a digital rangefinder, it’s also not a Nikon product, but I’m betting that most people arent’t going to worry about it too much– I’m certainly not. Olympus will be getting my money.
What they been able to do is squeeze a micro 4/3’s sensor into a tiny metal camera with a pleasant retro look with interchangeable lenses.
That last bit about changing lenses is the tipping point between “Matt keeps the money in the bank” and “Matt gets to explain why there’s another camera in the house.”
In a brilliant move that Nikon’s Ashton-Kutcher-loving marketing agency could learn from, you can watch it get destroyed in a blender here. Oh yeah- the Olympus engineers have thought of everything, even making sure it blends.
You can find the full specs in the dpReview or on the Olympus site, but the main items are:
Max resolution: 4032 x 3024
Max Video Res: 1280×720
Has a full-manual mode
ISO to 6400 (if you’re crazy, (I’m betting that it’s decent until 400 or so)
There is a raw format
Top shutter is 1/4000
Weighs less than a pound without lens and battery
$799 for the body and 14-42mm zuiko zoom.
$899.99 for the body and 17mm pancake lens
$749.99 for the body only (that zoom must be CHEAP!)
The only thing missing is a built-in flash (there’s an accessory, hot shoe mounted flash) and I’d love to see a range-finder like viewfinder, but the liveview should handle it alright.
There are aftermarket adapters for Nikkor lenses, and maybe more interesting, there’re adapters for Leica M-mount right now.
Ship date? Julyish through September depending on what you’re trying to get.
The best part may be on the front page where there’s a comparison matrix between the D500, D90, and D60. Most of the other info is just a rundown of the features and specs, menus, product shots, and a bunch of sample shots.
Mike Kobal continues to impress with his movies taken with the D90 and now D5000. He’s good enough that I’m starting to wonder why he bothers with cameras and doesn’t just get a dedicated video camera.
Nikon Corp is not doing too well right now- in addition to cameras, they make really expensive precision steppers that make your computer chips. Well no one has any money, no one’s buying computer equipment, no one’s upgrading their steppers.
Nikon Will Cut 1000 Workers to Save $84 Million Annually
Nikon (OTC:NINOY) said Tuesday that it will terminate 800 non-regular employees from its domestic manufacturing unit by March 2010 and another 200 from marketing and servicing departments in Japan as well as overseas. It said the cuts will likely save the company 8 billion yen, or $84 million dollars annually. Nikon is expecting an FY 2010 net loss of 17 billion yen, or $179 million. In a statement, the company said, “Nikon has decided to implement drastic measures for fixed cost reduction in every business step of production, marketing and servicing.”
I was worried about that last one- you either delist because it’s too expensive to continue paying the fees and associated costs, or because you’re not going to be able to maintain the listing requirements (stock price, volume, etc) until I saw this:
Nikon separately said it will delist its shares from the Osaka, Sapporo and Fukuoka stock exchanges due to low trading volume on these bourses.
Oh- and we’ve got yet another advertising firm. I believe this makes 2 new advertising agencies in the last year or so. And they’re still coming up with idiot ideas like:
LIVE FROM THE RED CARPET…NIKON, THE OFFICIAL CAMERA SPONSOR OF 2009 MTV MOVIE AWARDS
Nikon, the Official Camera Sponsor of the 2009 MTV Movie Awards, will reveal all the fun, stylish moments of this year’s award show from the red carpet. This includes a 30-minute televised special, “MTV Movie Awards Confidential presented by Nikon,”…
The kids are coming to want something more stylish and interesting than the blah CoolPix’s…
Son Ton melted the front fresnel lens on his Nikon SB-800 flash.
Not being the pussy that you and I are, I mean, uh, being more manly than me and my fist full of Craftsman screwdrivers, he decided to tackle the repair himself.
Check with your local Nikon office for information on getting a replacement bag.
Apparently, a fault in the bag may cause it to come apart at the bottom and you’d really hate to see your 200-400mm f/4g to drop onto the floor!
While this case comes with the 200-400mm, it was also available separately, so if you bought one, you’d better replace it.
How do you know if your case is ok? Does it look like this? Notice the “T” on the bottom of boths variants? If it says “T”, then you’re ok, according to the official release.
You may apply for a replace here. They’ll ship you a container to send in your old one and pay the FedEx in both directions. You can also call them if you’d like to discuss the issue: 800-645-6687.
Nice to see Nikon taking quick responsibility and handling the return in an honorable fashion.
Ken has a funny deal- he gives reviews to Nikon items that he either hasn’t held in his hands before, or as it appears in this case, he’s taken one shot outside of an office complex with!
But if you must know what he’s got to say, then take a look.
Basically, he says it’s better than the 12-24mm.
Either I’m missing something (hey, could be)- or the 12-24mm is going to go bye-bye. They’re basically similar lenses in every way that I can see. The question is “why”- why did Nikon release two lenses that compete against each other in almost every way?
Mac OS X version 10.3.9 is no longer supported. DO NOT update to this version if you are currently running Mac OS X 10.3.9.
When a camera control settings file was loaded with the Image area: Auto DX Crop box in the Storage tab checked while shooting with a D3, D3X, or D700 camera and a DX lens, a warning message was displayed and the image area and image size could not be specified. This issue has been resolved.
In some rare instances, Camera Control Pro 2 displayed an error and quit unexpectedly when any of RAW and/or JPEG images recorded at an image quality of NEF(RAW)+JPEG was moved from the destination folder specified in the Download Options dialog to the Trash from the Finder. This issue has been resolved.
It’s hard to compare the quality from their images. The D5000 comparison shots are underexposed and at slightly different magnifications, so you can’t really conclude anything from those shots.
NIKON’S D5000 DIGITAL SLR CAMERA EXPANDS POSSIBILITIES FOR PHOTO AND HD VIDEO CREATIVITY WITH D-MOVIE MODE, VARI-ANGLE LCD MONITOR AND 19 AUTOMATIC SCENE MODES
…Easy one-button Live View activation now features Subject Tracking autofocus (AF), which automatically locks onto a moving subject…
…Subject Tracking AF maintains focus, making the D5000 ideal for capturing fast moving children and pets. In addition to Subject Tracking AF in Live View, the D5000 features Face Priority AF, which automatically detects up to five faces in a scene and focuses on the closest subject; Wide Area AF, which offers a large AF area for optimal hand-held shooting; and Normal Area AF, which provides pinpoint accuracy when shooting with a tripod…
…The D5000’s D-Movie Mode allows users the exciting ability to record HD movie clips (1280 x 720) at a cinematic 24 frames per second with sound …
…With the broad range of automatic Scene Modes, including Sports, Portrait, Candlelight, Silhouette, Autumn Colors and more, D5000 is the perfect camera for anyone looking to make inspiring images in challenging photographic conditions…
…Price and Availability
The D5000 outfit, which includes the AF-S NIKKOR 18-55mm f/3.5-5.6G VR lens, will be available at Nikon Authorized dealers beginning in late April 2009 at an estimated selling price of $849.95.** For consumers who want to configure their D5000 system or for photographers who need an additional D-SLR body for an existing system, the D5000 will also be offered as a body only for an estimated selling price of $729.95.…
So basically another consumer-grade SLR with movie mode, NOT full-frame- the notable features seem to be the articulated (not fixed) LCD and some updates to the autofocus tracking to make it easier to use in movie mode!
Still confused about the model number though- maybe we’ll be seeing single digits for Pro bodies, triple digits for advanced amateur to pro range, and double and quadruple digits for consumers?
…the new AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED lens, giving photographers the opportunity to capture a unique perspective in a variety of shooting environments. Compact and lightweight, the new 2.4x zoom DX-NIKKOR lens offers a focal length of 10 to 24mm,(FX-format equivalent of 15-36mm) creating a picture angle ranging from 109-degrees to 61-degrees making it ideal for a variety of applications including restrictive interiors, architecture and sweeping landscapes…
…The AF-S DX-NIKKOR 10-24mm f/3.5-4.5G ED will be available at Nikon authorized dealers beginning May 2009 at an estimated selling price of $899.95…
The primary interesting item is an articulated LCD and possibly enhanced in-camera video editing. Otherwise, seems a bit like a D60 maybe. Price should be ~$600-800?
I’m still pretty confused about the product name and tempted to say that D5000 may not end actually being the name, but there aren’t any signs that point to any OTHER name so….
Interestingly too- the screen is attached at the bottom of the normal LCD place which means that it swings down instead of to the side like many movie cameras: